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(In one of my favorite lines of the movie, Stone touches the box before opening it and notes that it’s cold.
#Split second ending explained serial#
Aha, it’s a serial killer with a weird, quasi-erotic obsession with the cop chasing him: one of the organs is delivered to Stone at the station. It’s a serial killer who removes people’s organs in BDSM bar bathrooms decorated with blood streamers. Together, the mismatched partners will bond as they track down… something. Durkin apparently has sex every day, a fact you will never forget because, once it’s revealed to him, Stone won’t shut the fuck up about it.
#Split second ending explained movie#
As the movie kicks off, he’s forcibly odd-couple-partnered with Dick Durkin (Neil Duncan), an Oxford-educated psychologist and astrology enthusiast who does yoga. Everyone who works with him thinks he’s a violent, unstable asshole–in 2020, it seems like a nod to realism that this doesn’t stand in the way of him a) keeping his job and b) requisitioning an entire arsenal. Granted, he’s not so haunted by it that he won’t sleep with his dead partner’s wife, an out-of-place Kim Cattrall his damage instead expresses itself by him stonefacedly interrogating dogs and surviving on “anxiety, coffee, and chocolate” like some kind of psychotic Bridget Jones.
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He’s haunted by the murder of his partner, which we will be subjected to in flashbacks (they’re sepia so you know they’re happening in the past). The hook here is a leather-clad Rutger Hauer in a grim futuristic dystopia: “Look, we can sell it to networks to air at two in the morning–if people fall asleep watching TV, they might wake up and think it’s a weird Blade Runner sequel! That’ll buy us at least a few minutes of their time!” Here, Hauer–with touching earnestness–portrays London cop Harley Stone, a trauma-ridden weirdo who will pull a massive gun on anyone at a moment’s notice. You could ask directors Ian Sharp and Tony Maylam to explain themselves, but that would ruin half the fun. RUTGER HAUER! SERIAL KILLER? SATAN? GLOBAL WARMING? Split Second, in contrast, appears to be the product of notes scribbled on a cocktail napkin. It was purportedly written by Gary Scott Thompson, the screenwriting luminary behind Hollow Man and The Fast and the Furious, movies that, though unburdened by excessive competence, at least have stories you could summarize while drunk. Split Second is one of the worst movies ever made.